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#Term used to describe the ability of a dancer to raise and hold her extended leg en l'air. A dancer is said to have a good extension if, when doing a développé à la seconde, she is able to hold and sustain the raised leg above shoulder level. | #Term used to describe the ability of a dancer to raise and hold her extended leg en l'air. A dancer is said to have a good extension if, when doing a développé à la seconde, she is able to hold and sustain the raised leg above shoulder level. | ||
#The ability to raise the working leg high in the air. Good extension comes from a combination of inborn flexibility and training. Source: [http://www.theatredance.com/balletterm1.html Vance's Fantastic - BALLET DICTIONARY] | #The ability to raise the working leg high in the air. Good extension comes from a combination of inborn flexibility and training. Source: [http://www.theatredance.com/balletterm1.html Vance's Fantastic - BALLET DICTIONARY] | ||
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+ | '''Acoustics''' | ||
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+ | How extended a range of frequencies the device can reproduce accurately. Bass extension refers to how low a frequency tone will the system reproduce, high-frequency extension refers to how high in frequency will the system play. | ||
+ | Source: http://www.owenscorning.com/around/sound/glossary.asp | ||
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+ | [[Category: Acoustics]] | ||
[[Category:Dance]] | [[Category:Dance]] |
Revision as of 18:05, 10 September 2011
Dance
- Term used to describe the ability of a dancer to raise and hold her extended leg en l'air. A dancer is said to have a good extension if, when doing a développé à la seconde, she is able to hold and sustain the raised leg above shoulder level.
- The ability to raise the working leg high in the air. Good extension comes from a combination of inborn flexibility and training. Source: Vance's Fantastic - BALLET DICTIONARY
Acoustics
How extended a range of frequencies the device can reproduce accurately. Bass extension refers to how low a frequency tone will the system reproduce, high-frequency extension refers to how high in frequency will the system play. Source: http://www.owenscorning.com/around/sound/glossary.asp